Take a letter, Miss Henry

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‘How a rubber chicken got me to New York’

Today is a big day here in Lutheranliar Land. Not only does The Child start her new job as a software engineer at this cool company in Boston called Kensho. (She told me it was okay to tell you, so read more about it here). But it was also on a Monday in October — the 22nd of October in a year long ago — that Yours Truly started a new job in a new city. As a copywriter at Ogilvy & Mather in New York.

I’ll leave it to The Child to tell you of her path to Software Success. Since this is my blog, I get to tell you my story. I will spare you the stuff about how I got interested in advertising in the first place. (Though I may eventually run short of blog material and decide to mine that vein.)

So let’s fast-forward to Kansas City, Missouri. Where I am doing pretty nicely, thank you very much, as a copywriter at a fair-to-middling agency writing ads for Safeway, Phillips Petroleum, and Fleishmann’s Yeast. Heady times. I had gotten to that stage, career-wise, where Continue reading

Karl Malden’s nose

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‘Don’t leave home without it.’

Fair warning: if you are related to Karl Malden, or are the president of his Fan Club or anything like that, you may wish to stop reading this post. Switch to the one about the silo. Or the one about Bruce Dern and the sweepstakes.

Because this is an Ad Story in which Karl is the butt (as opposed to the nose) of the joke. But he deserved it. As you will see. To mangle a phrase, ‘Hell hath no fury like a bunch of creative women dissed’.

First, a little (probably necessary) background. Karl Malden was a movie star once upon a time (terrific as Mitch in ‘Streetcar Named Desire’; good in ‘On the Waterfront’ too). But it was his run as a police detective on a TV show called ‘The Streets of San Francisco’ (with a youngster named Michael Douglas as his sidekick) that got him his looooong lucrative run as the Spokesguy for American Express Travelers’ Cheques (‘Don’t leave home without them’).

Karl Malden and his nose (and Michael Douglas too) in ‘The Streets of San Francisco’

It grieves me to realize that I just explained who the hell Karl Malden was and now I have to explain ‘travelers’ cheques’. (Do they even make travelers’ cheques anymore?) Anyway, travelers’ cheques were these things you’d get before going on a trip to use instead of cash because, if you lost them or (gasp) if a bad guy stole them, you didn’t lose out. American Express would replace them, and you’d be fine.

In order to get people to use their travelers’ cheques instead of dangerous old cash, AmEx (as we who worked on their business affectionately called them) ran these commercials where pathetic travelers who used cash were duped and/or robbed and lost their money. Then Karl, wearing his trademark tough-guy hat, Continue reading

Winning money isn’t funny

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Bruce Dern in Nebraska by Alexander Payne

‘Betting everything on the Sweepstakes’

Poor Bruce Dern. His character didn’t win the sweepstakes in Alexander Payne’s movie ‘Nebraska’. And he — Bruce — didn’t win the Oscar for playing him either. I forget now who did. (Don’t we always forget? No matter how exciting it gets around Oscar time?) But that’s not the point of this post.

I’m posting to tell you about my own experience with a sweepstakes. It was almost as sad as Bruce’s. (That Payne movie is dark, people. Really dark. And I don’t just mean the black and white footage.)

Anyway, back to my sweepstakes story. This was during my Ogilvy Days. As you may know, I worked on a lot of interesting accounts: Hershey, who made yummy chocolates. Kimberly-Clark, who made useful paper products. General Foods, who made, basically, powders (Shake ‘n Bake, Country Time). And then there was the Sweepstakes Company, who made a lot of money selling magazine subscriptions — er — dreams.

I will not name the Sweepstakes Company. Though my blog is new and probably has, like, 13 subscribers, if I name this Company it would be just my luck that Continue reading

Old MacDonald Had a Silo

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‘Gramma Peterson loved this one’

My just-completed jury duty reminds me of my days of going on commercial shoots. You know, scores of random people thrown together for long stretches of downtime and boredom, interrupted by bursts of furious activity.

One thing you were sure to get out of a commercial shoot, though: a great story. Not always the story you went out to shoot, but a great story nonetheless.

Here’s one of my favorites.

I was working with my boss, a great art director and native New Yorker who shall remain nameless. Though if you were active in the business Back In The Day, you may recognize him in the picture above. (Hint: he’s not the one in the blue glasses; that’s me. I guess blue glasses and I go back awhile.)

Anyway. For those of you who don’t know, Continue reading